One of Lucien’s best interviews.

“Those of us who were burdened from childhood by archaic tradition-based dogmas, especially in the era of the Satanic Panic, were instilled with an irrational aversion and fear toward the “other”, the Satanic. Breaking that barrier, defying such deeply-entrenched cultural programming, embracing the symbols, narrative, and outside status of the Adversary, can be a supremely liberating personal experience, not merely incidentally divorced from superstition, but emblematic of, and vital to, the break with superstition. Whether we interpret them literally or not, the mythological backdrop by which we each contextualize our existential grounding is profoundly important in our lives. I feel that theists are subjugated by their myths, while we are empowered by ours. The literary Satanists of the Revolutionary Era understood this, and their power to change the world by way of altering the cultural mythological structure was certainly not lost on them. One can read some artful exposition on this point in Shelley’s A Defense of Poetry. In explaining this, I can only hope to make some people understand that, despite common perceptions, Satanism is (or can be) deeply personally enriching, and isn’t merely an attention-seeking shock tactic directed at observers. When the cameras aren’t rolling, when the journalists have all left the spectacle, we are, in fact, Satanists still. I know this doesn’t quite exactly directly answer the question of how literature and art serve as icons for deeply held beliefs; But the power of metaphor, the vital necessity of narrative to cultivate and define one’s sense of self and purpose, the atavistic desire for art are all self-evident to me. I have a difficult time understanding the bizarre, yet apparently prevalent notion, that religious identity, practice, and ethics should be dependent upon intellectually crippling superstitions. I can’t grasp why it became the norm to believe that mentally-stunted fundamentalists have a more authentic claim to deeply-held beliefs.”

Read the full interview on Haute Macabre